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- #Script blocking shot designer camera work how to#
- #Script blocking shot designer camera work movie#
Each camera roll takes up one or two sheets, depending on how many takes were shot on that roll.
#Script blocking shot designer camera work movie#
13, 2010) and the camera roll number (the cumulative count of rolls shot over the entire movie shoot since this is the first roll shot on the first day it is called camera roll number one). On top of the camera report, you'll find two pieces of important information: the shooting date (in this case Sept. Even if all the takes are going to be telecined (which often happens when the assistant editor is synching dailies rather than the telecine house), it is still good practice to circle takes because the studio may request to see only the director's preferred takes on their DVDs. Today, they denote the takes the director wants transferred to video at the telecine house.
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These takes are also called printed takes after the old practice when only circled takes were printed to 35mm film from the negative. Takes that your director, Adam Free, selected for editing are circled on the report. Note that only certain takes are selected. For starters, it shows everything shot the day before, camera roll by camera roll, including the scene number, set-up letter, and take number.įigure 4.14 A camera report listing the first day's shoot for Silent Night, Silent Cowboy. It lists a lot of information helpful to the lab and a few useful tidbits for you. The camera report you receive is written by the second assistant cameraperson on the set ( see Figure 4.14 on the next page). Be sure to determine if the problem is correctable. However, for small scratches, dirt, or other minor problems, you may be the only one to know at this point. Often, the lab will have already notified the director of photography and, perhaps, the producer if there is something drastically wrong with the footage. If there is anything wrong with the printed dailies, the customer contact person at the lab should give you a verbal report (a negative report). In addition, you should get a FLEx file, one for each tape roll of dailies. The paperwork that comes with the picture dailies HDV/DVCam tape should include the telecine report and the camera report (sometimes, the camera reports come from the production office rather than the lab). Every assistant starts at a different time, depending on when the film and track comes in, but during dailies you can count on starting anywhere between 7 a.m. Finally, you will receive a copy of the script supervisor's notes from the production office. You will also get the sound files and their paperwork from the sound house.
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Whether you all look at them together at a screening or individually on DVD, this material is called the dailies since it allows everyone to see their work on a daily basis.įrom the telecine house, you will get the dailies and their accompanying paperwork. Your job will be to take this material and put it together in a way that everyone on the production can see their work from the previous day's shoot.
#Script blocking shot designer camera work how to#
Film Editing Room Handbook, The: How to Tame the Chaos of the Editing Room, 4th EditionĮvery day after shooting, you will either pick up or receive three different packages from three different locations.